Interesting Reading for 2014

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Charles Dickens - The Pickwick Papers (1836)

The Posthumous Papers of the Pickwick Club was the fictional publication that really made the name of Charles Dickens famous. After his reasonable success with descriptions and written sketches of London life (Sketches by Boz) in 1833-36, Dickens gained a popular following and the beginnings of a loyal audience thanks to the increasing success of The Pickwick Papers.

His publishers commissioned Dickens to provide the text for a picture novel about unsuccessful, bumbling sportsmen, with the pictures supplied by Robert Seymour. But rather than wait to be given illustrations to describe, Dickens began writing his descriptions before anything had been drawn and so, increasingly through The Pickwick Papers, his words took precedence over the illustrations. Seymour, who had originally proposed the idea of a series of illustrations of city-dwellers inexpertly hunting etc., shot himself before the second installment's publication – though that probably wasn't just due to Dickens's increasing level of artistic control.

The collection of illustrations and story-captions detailing the exploits of the Pickwick Club eventually attracted a wide readership, and it's easy to see why. While not quite the soap opera of its day, The Pickwick Papers is a running light comedy, with each installment dropping its increasingly familiar (dare I say predictable?) characters into fresh situations full of potential mishaps and fumbles.

Bill Ehlig and Ruby Payne

What Every Church Member Should Know about Poverty (1999)

Churches often are perceived as open, welcoming environments. Many times, that's what they are. But congregations, without even realizing it, sometimes make themselves inhospitable to impoverished people.

Many of us in the church genuinely want to be available to those in their communities who are experiencing poverty. However, churches are often operated with a middle-class mentality. This middle-class mode of thought makes it difficult for those from poverty to assimilate into the congregation. In What Every Church Member Should Know about Poverty, Payne, a national expert on poverty, and Ehlig, an ordained minister, use stories to help illustrate the way people from poverty view middle-class churches. They then provide solutions and tactics to teach church members and leaders some of the special considerations that can be afforded the disadvantaged. One recommendation, for example, is that congregations reach out to the poverty-stricken in a way that shows mutual respect and not a sense of charity.

Mark Twain - The Adventures of Huckleberry Finn (1884)

There's a reason why many consider The Adventures of Huckleberry Finn to be one of the great - if not the greatest - American novel. It broke many of the literary rules of its time and thus set the pattern for much of American literature ever since. It's told in first-person dialect by a great-hearted but ignorant bumpkin of a boy who understands far less than the reader but who knows how to follow his heart over his head. And it deals forthrightly, and scathingly, with racism, the great American problem.

Those who attempt to ban this book (and it is one of the most frequently challenged, year after year) can't see the forest for the trees. They see the liberal use of the "N"-word and assume it's racist, when in fact it's just the opposite - it's a powerful, and powerfully moving, statement against racism (as well as slavery, war, and a host of other American problems). Despite its flawed final section, when Tom Sawyer reappears and the author reverts to the style of that lighthearted, lightweight book, this remains, more than 100 years after its publication, a book that every American could profit from reading.

Willa Cather -  My Ántonia (1918)

Willa Cather's best-known work, My Ántonia, is a novel we often first encounter as young adult literature, a book many of us actually enjoyed in our youth. We feel comfortable leaving it safely, fondly stored in our memory banks, rickety as they may be, where it remains a humane story about a courageous Bohemian immigrant girl forced by fate and family exigencies to grow up on the beautiful, harsh flatlands of Nebraska.

We remember Jim Burden, who recounts Antonia's adventures as well as those of his own rural childhood with affection. We recall characters like the Russian friends, Pavel and Peter, with haunted clarity. We feel enduring fondness for Lena, the dressmaker. We still despise the evil money-lender Wick Cutter. And scenes such as the one where Jim heroically - at least to Antonia - bashes the head of a rattlesnake with his spade remain with us, so startling were they when we first read them.

What's interesting about My Ántonia is how it manages to function as a perfectly inviting story for young readers, and how an adult willing to revisit it with a more developed critical eye can appreciate it for the subtly sophisticated narrative it truly is. In this regard, it's not unlike a wildly different book, Alice in Wonderland. Great fun for kids, psychologically captivating for grownups.

There are two things to note about the book: its wonderful descriptions of the landscape and life on the frontier; and its capturing of the emotions of the characters. You might say that Cather captures the interior and exterior landscapes; the physical and emotional terrain. This allows her to create – or perhaps recreate – a full and believable world. This is one of the gifts of great literature: it allows us to see how others might have lived; to imagine the possibilities and contours of life outside of our own experiences.

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